Harry, a charming house thief, gets more than he bargains for during an attempted burglary when he stumbles upon Daisy and decides to save her from herself, sending both of them into a darkly comedic journey of self discovery and love.
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A woman finds a man in a box in front of her home and takes him in. She jokingly says she wants to keep him as her pet since the man reminds her childhood dog. The man agrees. Later the woman discovers that the man is a dance prodigy. Complications arise when her old flame from college appears.
Join uptight David Starsky and laid-back Ken “Hutch” Hutchinson as they’re paired for the first time as undercover cops. The new partners must overcome their differences to solve an important case with help from street informant Huggy Bear and persuasive criminal Reese Feldman.
In this modern take on Charles Dickens’ “A Christmas Carol,” Frank Cross (Bill Murray) is a wildly successful television executive whose cold ambition and curmudgeonly nature has driven away the love of his life, Claire Phillips (Karen Allen). But after firing a staff member, Eliot Loudermilk (Bobcat Goldthwait), on Christmas Eve, Frank is visited by a series of ghosts who give him a chance to re-evaluate his actions and right the wrongs of his past.
This comedy follows Sam, as her life is turned upside down on a big night out. When reunited with her old college friends, Sam is forced to re-evaluate her life and constructs an elaborate façade in order to convince herself and her friends that she has it all. But once her dysfunctional yet devoted trio of best mates intervene, her carefully crafted charade begins to crumble amidst the shots, cigarettes, ciders and toilet transgressions. Faced with some very harsh realities, Sam must struggle to remain true to herself and reassess exactly what she wants from life.
Simple conversations engender complicated human interactions. The first in Eric Rohmer’s Four Seasons series, Conte de printemps (A Tale In Springtime) is the story of an introverted young girl (Florence Darel) just reaching adulthood who takes a liking to an older woman she meets at a party (Anne Teyssedre) and determines to match her off with her father (Hugues Quester), despite the latter’s already having a lover of his own. There is a certain absurdity to this, apparent to both adults, who though both reluctantly attracted to each other resent Darel’s attempts at matchmaking. Nevertheless, both of them are intelligent enough to understand that there is no ‘proper’ way to meet, and are alive to the possibilities that life brings them. Darel, for her part, is a persistent catalyst. As with all Rohmer films, the stage is set, in an age of increasing impermanence and uncertainty in human relationships, for a series of minimalist reflections on love and life.
Bob, an incompetent man, is searching for an available job by alphabetical order. He had just failed all of the A’s, and discovers an ad in the Yellow Pages for a butler school. He is the only one in the butler school course to pass, because all of the other people quit due to the embarrassment and pressure of the teacher. Meanwhile, Tess (Genevieve Buechner) and Bates (Benjamin B. Smith) Jamieson
Sam Whiskey is an all-round talent, but when the attractive widow Laura offers him a job, he hesitates: he shall salvage gold bars, which Laura’s dead husband stole recently, from a sunken ship and secretly bring them back to the mint before they are missed. But how shall he manage to get several hundred pounds of gold into the mint without anyone noticing?